garbashians:

when someone makes a joke about one of ur insecurities

(via imtalkingboutmountaindewsbaby)

andrysb24:

wheelchair-warrior:

bigmamag:

doctorwinchesterin221b:

locaoverloki:

prodigium-in-the-tardis:

amarilloo:

deeeeeeeeeeeeeeeaaaaaaaaaaaaaaan:

we-avenge-if-we-want-to:

triggafiasco:

loki-cat:

iamladyloki:

C R Y I N G OMG

I DONT THINK YOU GUYS UNDERSTAND

HOW MUCH I LOVE THESE SPIDERMAN PICS

OH OH OHHH! I have some!!
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oh shit not this fucking bullshit again oh my god jfklsdjflkj

THERE’S MORE WHERE THAT CAME FROM! 

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HOLY FUCK HE’S BACK OMG

I’M ACUTALLY CRYING HERE OH GOD

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can’t forget these

THESE ARE GOLDEN

Spiderman memes were one of my earliest experiences with the internet and with Tumblr and they will always be the greatest

I’ve seen these countless times and they still crack me up so much. I just hate when they appear on my dash at work. So hard not to laugh maniacally

(Source: buffdaddylayton, via imtalkingboutmountaindewsbaby)

zooophagous:


prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

(via imtalkingboutmountaindewsbaby)